For Christine...
I just flew to Las Vegas and back to visit my mother. If you don’t know, my mother has dementia and
has entered the last stages of the disease.
She doesn’t communicate—she has lost the ability to
comprehend language. If she says
anything, it’s usually parroting numbers or letters over and over again
(eighty-nine, eighty-nine, eighty-nine...or A, E, A, E, A...). Needless to say, you can’t have a
conversation with her. You can’t tell
her what wonderful or dreadful things you’ve experienced since you last saw
her. You can’t hear about what has gone
right or wrong in her life--from her perspective. You can’t have a relationship with her in
the normal sense of the word, the way you have since you were born. You don’t even really know if she recognizes
you by sight. Although if she doesn’t
know the meanings of words anymore, it’s kind of doubtful that she recognizes
that she once had a baby, and now this woman in front of her once was that
baby. But the mind is a strange place,
and even more so when it is dying, so you never know what she knows. She is still bright-eyed and makes eye
contact, and sometimes smiles, and sometimes furrows her brow, whether in
concentration or frustration, who knows?
At least she is not yet catatonic and staring off into space. That day, I know, is coming.
I read Oliver Sacks’ Musicophilia:
Tales of Music and the Brain a few years ago—a random buy from a used
bookstore. In the simplest of terms, it
told of the way the brain somehow enjoys/interprets music when other parts of
it can’t even speak or think or move in ways that we think are normal. People with autism or brain damage from
accidents or dementia can inexplicably remember song lyrics and sing them, or
learn complex pieces of music after hearing them once and play them on an
instrument. And they can’t even tell you
their names or brush their teeth. It’s
a different part of the brain that rules over music than speech or motor
coordination—in fact, the musical part of the brain varies from
person-to-person, depending on if they are a musician or just an avid
listener. Reading this began to cause
my own brain to light up like a Christmas tree.
Mom had always loved music and singing and dancing. What if we could reach my mom through
music?
During her illness, which has been slow and gradual, my mom
latched onto a certain CD that she liked—Barry Manilow’s The Greatest Songs of the Fifties.
She would insist that it be played over and over and over again as we
rode in the car to wherever we were going.
Later on, she would insist on going for a ride just to listen to the
CD. My dad offered to play it in the
house, but no. She wanted the whole
experience of looking out the window while it was playing. And she sang her little heart out. She knew all of the words, you see, because
they were covers of the songs she grew up with. That CD grabbed a corner of something that
was still familiar to her. She had
forgotten people and facts, but she remembered those lyrics. When I still worked for Carole King, we had
to sing backup on the live version of “Will You Love Me Tomorrow”, and the song
stayed in my head. When I began singing
it on a subsequent visit to Vegas, my mom started singing it with me. We sang together, unabashedly. It was one of the greatest memories she could
give me, and so unknowingly. Again, I
marveled that she still knew all of the words.
After she went into the group home where she now lives, some
time after that, my dad brought a portable CD player and headphones to her so
she could listen to her Barry Manilow CD.
She would sing, and all we could hear was her voice, since she had the
headphones on. I’m sure she wondered why
we were all grinning at her.
Last year, I brought Martin to visit my family. He had been learning to play ukulele, for
about 9 months at the point of the trip.
He brought his uke, since he plays every single day and it has become
part of him. And he brought it when we
went to visit my mom, and he played softly in the background as we stayed with
her. He’s very perceptive and he noticed
how her eyes would light up when he played, and pointed it out. She seemed to like it. I don’t recall if we sang any of the songs
we’d been learning. But she was
interested in hearing it. By this time,
all she was saying was the numbers and letters and I think her “eighty-nines”
got really animated when she heard the music.
I again remembered the Oliver Sacks book and the correlation between
music and the brain. And I was so happy that he was able to make
her happy, in his own way, doing something he loved and did every day. She may not have remembered who he was, but
she was feeling the effects of his playing, and that was joyous!
These last few months, when my sister visited, she reported
that she was alternately singing and humming with the Barry Manilow CD when
they played it for her. She’d put her
cellphone on speaker so I could hear her.
And it made me alternately happy to hear her saying SOMETHING and cry
like a fucking baby that the only thing that could make her do that was singing
a song. And then, she was just
humming. And then, just sometimes. Even the music was leaving her.
I have a ukulele as well, but I don’t play it every
day. Every once in a while, more
like. But this trip, I decided I was
going to bring my uke and play for her (Martin couldn’t get the time off work,
so he wouldn’t be there to play for her).
I got the chords for “Will You Love Me Tomorrow” and learned it. It was halting, but I learned it. I thought, maybe she’ll sing. Maybe, just maybe, it’ll defy everything we
know and touch a stray cell and fire a synapse and make her remember...My
cousin Brian also had made a CD from songs from the actual record collection
she had when she was young, as a child/early teenager. The same fifties era as the Barry Manilow
CD. I brought that with me as well,
tucked into my Sweet Little Songbook.
This time, she was much quieter than in previous
visits. Before, it was a near constant
stream of “eighty-nines”; this time, barely any. Just her watching TV...and us. She was alert and made eye contact. Randomly,
she’d “eighty-nine” under her breath.
When the nurses had left, I pulled out my uke and my songbook. Turned to the right page. I began playing. The transitions were not very smooth between
certain chords, but I kept going. Looked
at the chords and back at her, at the chords, and at her.
Her eyes never left me.
But she did not sing. But
suddenly, it was perfectly fine. I was
no longer doing it for me, hoping for a certain reaction. I was
doing it for HER now, to make HER happy, giving her one of her favorite
songs. And in that, I WAS happy. I was floating! I didn’t cry like I’d thought I was going to;
I made it through the song. And her
expression was just kind of neutral. But
I think she liked it. I’m going to
believe that she did like it.
But I have pictures and video and memories of a magical
afternoon when music transformed time into something unusual and unexpected, delighting
us all.
Including my mom. Indubitably.
Comments
I remember when you told me about that book, and it made so much sense to me after seeing Mom brighten while we played and sang.
And yes, we sang some of the songs we were learning then.
<3
m